Other articles are “King of No Country” by Corey S. Pressman, “Unquiet Object” by Disjecta, “Floodplain” by Jon Gotshall.
Pamplin Media Group will highlight some gallery openings and other artistic events during the first edition of each month, coinciding with the first Thursday (April 1). Most galleries have reopened with COVID-19 security protocols in place, including limited capacity; some require appointments, some have web content. Please see individual websites for details:
• Reminder: Portland State University’s Jordan Schnitzer Museum of Art has shows on its website and social media channels, and they run until May 9 once it reopens. The artists who built the PSU Art and Design School will be featured in “Building Community: PSU Art & Design Faculty, Past & Present”. It coincides with the university’s 75th anniversary and includes works by more than 50 artists. For more: www.pdx.edu/museum-of-art.
• New member Corey S. Pressman – and his collection of 2D and 3D works on paper, “King of No Country” – debuts at Waterstone Gallery, 124 NW Ninth Ave., through May 2. He uses materials to reconstruct an inner world, a place rarely mapped. For more: www.waterstonegallery.com.
• “Unquiet Object”, by curator-in-residence Lucy Cotter, is on display until May 2 at the Disjecta Contemporary Art Center, 8371 N. Interstate Ave., and features works by 10 international artists who challenge naturalized separation but easy cultural objects of human life and social reality. For more: www.disjecta.org.
• At the Elizabeth Leach Gallery, 417 NW Ninth Ave., there are new paintings “Awake Under Vines” by Ryan Pierce and new works “Lattice” by Charlene Liu, from April 1 to May 29, as well as “Copacetic” by ‘Alison Saar on the print wall. Pierce’s art combines an electrified palette with allusions to environmental activism and radical resistance. Liu’s exhibition explores two aspects of his artistic practice: branding and image creation. For more: www.elizabethleach.com.
• The Blue Sky Gallery, 122 NW Eighth Ave., presents the exhibition curated by Lora Webb Nichols (1883-1962), “Photographs Made, Photographs Collected”, from April 1 to May 1. It is organized by Nicole Jean Hill. For more: www.blueskygallery.org.
• Jon Gottshall’s photograph (“Floodplain”) is on display at Gallery 114, 1100 NW Glisan St., from April 1 to May 1. These are archival inkjet photographs that focus on the current state of the natural and built environments of the Columbia floodplains. and the Willamette Rivers. For more: www.gallery114pdx.com.
• The Portland Art Museum has announced that it will conduct a first phase of reopening on April 10 (access to galleries, except special exhibitions and adjacent areas), followed by a second phase on May 5, when all galleries will open, with the exhibition “Ansel Adams in Our Time.”
Northwest Film Center activities will continue to be presented on a virtual basis.
For more: www.portlandartmuseum.org.
• Opening April 17 and through May 2 at Carnation Contemporary, 8371 N. Interstate Ave., “Slow Friction” by duo Midgray features a collection of explorations of the extremes of attention in the age of fluid user experiences. Midgray is the art / design duo of Kris Blackmore and contemporary artist Carnation Simon Boas, with help from sound artist Keith McGraw. The works include video, textiles, smartphone screenshots and writing. For more: www.carnationcontemporary.com.
• Reminder: Portland Art Museum, 1219 SW Park Ave., generally offers free admission on the first Thursday from 5 p.m. to 8 p.m. www.portlandartmuseum.org.
• For more information on the galleries: First Thursday, firstthursdayportland.com; Portland Art Dealers Association, www.padaoregon.org.
– Jason Vondersmith